The upcoming version 0.6 of Jamoma enables model-view-controller separation in Max. The novel features that Jamoma 0.6 enables will be presented in a paper at the joint ICMC|SMC|2014 Conference in Athens, Greece. A demo session will further exemplify the many benefits of MVC separation in Max using Jamoma 0.6.
Anders Vinjar and Jean Bresson (Ircam) presents a paper at the Linux Audio Conference at ZKM, Karlsruhe, on the recent port of the OpenMusic computer-aided composition environment to Linux. The port has been supported by BEK. Anders has used OpenMusic for Linux when composing a new multi-channel electro-acoustic work commissioned by BEK. The work is to be premiered in the near future.
The latest issue of the Computer Music Journal (MIT Press) includes an article on the Spatial Sound Description Interchange Format (SpatDIF) by Nils Peters, Trond Lossius, and Jan Schacher, entitled “The Spatial Sound Description Interchange Format: Principles, Specification, and Examples”.
For a two year period 2012-2014 BEK participation in the development of Jamoma is supported by Hordaland County Council. Development will be focusing on control of real-time processing environments in live productions, development of flexible interfaces, and work on surround sound. The project encompass development, documentation, developer and training workshops, and the use of Jamoma in various art projects.
BEK is pleased to welcome Nathan Wolek as a Fulbright Scholar. Nathan will be a guest researcher at BEK for 6 months commencing August 1 2012. During the stay his research will be focusing on granular synthesis, and more specifically on porting The Granular Toolkit, a package for creating granular synthesis effects within Max, to Jamoma.
The paper An Automated Testing Suite for Computer Music Environments by Nils Peters , Trond Lossius & Tim Place will be presented at Sound and Music Computing Conference 2012 in Copenhagen.
Software development benefits from systematic testing with respect to implementation, optimization, and maintenance. The paper reports on how automated testing is implemented and used for Jamoma to test C++ code as well as Max externals and patches.
The paper SpatDIF: Principles, specification, and examples by Nils Peters , Jan Schacher & Trond Lossius will be presented at Sound and Music Computing Conference 2012 in Copenhagen.
SpatDIF, the Spatial Sound Description Interchange Format, offers a semantic and syntactic specification for storing and transmitting spatial audio scene descriptions. The paper provides an overview of the specification and discuss two use cases.
The research group for philosophy, language and artistic research at FoF Institute, Department of Philosophy, University of Bergen invites to seminar.
The seminar investigates how scientific and art-based research practice might relate. Is it possible within the science of philosophy to apply artistic means in order to gain insights? Is artistic research emphasizing research in the arts, on the arts or through the arts?
The Choreography of Sound (CoS) is a 3 year arts-based research project funded by the Austrian Science Fund FWF (PEEK AR41) and carried out at the Institute of Electronic Music and Acoustics IEM. BEK is a partner in the project, alongside CIRMMT in Montreal/Canada, ICST in Zurich/Switzerland and IRCAM in Paris/France.
NIME 2011, one of the major annual international conferences on music technology, will be taking place in Oslo, hosted by the fourMs lab at The University of Oslo, Norwegian Academy of Music is Norway, NOTAM, BEK, Simula Research Laboratory, The Music Technology section at NTNU and COST Action IC0601 on Sonic Interaction Design.