A platform is created to give space to an experiment or game with algae, images and words. This demands a decision on what is inside and what is outside a set boundary or frame.
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Siri Austeen and Espen Sommer Eide have in their practices in different ways related to sound recording or “field recording” – a term that may mistakenly give the impression that the sound must be retrieved in exotic and dangerous places. BEK has invited them to a conversation where they present different projects they have participated in and discuss examples of…
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Make a story, prepare the shoot and hit REC, before going into the crucial editing process! The workshop will be led by filmmaker and -producer Paul Johannessen, and will run for two days. The first day we will learn theory and get some introductions, and the second day we will be making something.
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We are incredibly proud and happy to wish you welcome to the new BEK! The last two weeks in January 2019, we invite old and new colleagues and partners to the opening party, presentations and workshops in our new premises. It will also be possible to get an introduction to the studios and to our new routines. Save the dates…
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Come and listen to what Brita UT has been working on during her work residency in BEK’s sound studio! Light refreshments.
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Open meeting about the future after the KNYT-scheme, Arts Council Norway’s terminated funding scheme for art and technology. Light refreshments will be served. Please note that the conversation mainly will be held in Norwegian. After the KNYT-scheme was terminated in 2017, artists and production sites are left with the question of where applications for funding now should be sent. How…
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Line Horneland has been working at BEK with Innimellom er lyden stille, both in the sound studio and in the project room. BEK has been advising the development of the work, which is now shown at Lydgalleriet.
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The exhibition The Poacher’s Dream by Eleanor Clare og Dillan Marsh consist of multiple channels of sound and video – spoken and sung narratives that unfold as one moves through the space. BEK has been advising the duo while they were developing the project, and has contributed with technical equipment for the production of the work and for the exhibition at Visningsrommet USF.
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Freja Bäckman’s project I was told I chop wood like a ballet dancer is now on view as a sound and video installation at Hordaland Art Centre, a project that in April appeared as a concert in the forms of a performance and an installation at District Berlin. Bäckman was artist in residency at USF Verftet in Bergen during the spring…
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SPRANG, version Osterøy made especially for the old Gjerstad-barn at Osterøy Museum We are happy to invite you to the opening of Maia Urstad and Hilde Hauan’s work SPRANG on Saturday November 3rd at 15h in the Gjerstad-barn at Osterøy Museum. The exhibition will be opened by art historian Gunnar Danbolt and Mayor at Osterøy Jarle Skeidsvoll. In the project…
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