background image
Select language: English · Norsk


"Cold Noise" på Østre 1. desember kl 19


Velkommen til vinterkonsert på Østre, med en ellevill og unik lineup som byr på overraskelser og velbehag i store mengder!
I tillegg til konsert blir det lyskunst, og ved inngangen får alle utdelt et objekt som man oppfordres til å utforske gjennom hele konserten!

Vi vil invitere alle dine sanser til et enormt stemningskalas ulikt noe annet du har opplevd! Vinter; stillhet, støy, varme, kulde, myk, hard, lys, mørke, smaker, lukter. Er du klar for ekte stemning?

“Cold Noise”

Tid: Søndag 1.12.2013
Sted: Østre (Østre Skostredet 3)

Arne Toivo Fjose Sandberg
By The Waterhole (Eva Pfitzenmaier -vokal, keyboard, elektronikk)
Birk Nygaard – visuell kunst

50,- for elever ved musikklinja på Langhaugen Videregående Skole.

Fri aldersgrense, med servering.

Konserten er støttet av: AVGARDE, KLASSISK, Trafo, Bergen Kommune

Med Vennlig Hilsen

Ester Størkson, Nadia Alvheim og Vegard Riise
fra Langhaugen Videregående Skole, i samarbeid med AVGARDE og KLASSISK



CogNovo - Interactive distributed sonic environments


Just a few days left to apply to CogNovo, a new and exciting fully funded PhD programme at Plymouth University in the UK.
CogNovo offers a choice of 14 focussed research projects. Each project is supervised by a multidisciplinary team of experts and offers opportunities for secondments to international academic and commercial partners.

DEADLINE: 12:00 30 NOVEMBER 2013





On Friday the 22nd and 23th of November, BEK’s rooms will be dedicated to PAB, performance art Bergen. Booking and equipment lending will be closed during these days. Paolo Zuccotti (IT/SE)/ Jan Hajdelak Husták (CZ)will modify BEK’s spaces for this occasion: come and have a walk through a transformed BEK on Saterday the 23th of November between 10am and 18.30h

more info



CFP, Urban Soundscapes and Critical Citizenship, 27th & 28th March, 2014, Limerick, Ireland


In this interdisciplinary conference, we explore the intersection of soundscapes and acoustic ecology studies (Murray Schafer 1977; Truax 1978) with urban, applied ethnomusicology’s focus on human subjects (Hemetek and Reyes 2007; Jurková 2012) and with sociological understandings of the cultural restructuring of urban space (Fainstein and Campbell, 2011; LeGates 2011; Bridge and Watson 2010), through an evocation of ‘critical citizenship’ (Nell et al, 2012).

We would particularly welcome individual papers (20 mins + 10 mins for questions) or panel presentations (90 minutes) that address the following questions:

  • Where is the individual located in urban (soundscape) studies?
  • How do the sounds of a city shape human experience?
  • What role does sound play in the cultural restructuring of urban space?
  • Might soundscape projects be part of urban regeneration and renewal and if so, in what ways?
  • How can we create/capture urban soundscapes and what motivates us to do so?
  • How might the relationship between the city and the individual be reframed sonically?
  • What critical potentials are unleashed in applied soundscape work?
  • Are soundscapes mere reflections of acoustic and other realities, or might they construct pathways for greater interaction between cities and their people?
  • What are contemporary methodological challenges in representing urban soundscapes?
  • What new technologies allow for the reimagining of applied soundscapes production and manipulation?
  • How can we productively bring together lessons from different disciplines in relation to urban, societal, cultural and acoustic ecologies in order to imagine a better, lived, urban experience?

Keynote speakers include:

  • Dr. Ursula Hemetek, University of Music and Performing Arts Vienna (Applied/Urban Ethnomusicology)
  • Dr. Giacomo Bottà, University of Helsinki (Urban Studies)
  • Peter Cusack, CRiSAP/University of the Arts, London (Sound Arts Practices)
  • Milena Droumeva, Simon Fraser University (Acoustic Ecology)

Please send your individual abstract of no more than 250 words, or a panel abstract of 350 words to

We also invite five-minute recording submissions for our dedicated listening space at the event. Please send your sound file, associated picture, and a brief description to

The deadline for receipt of individual and panel abstracts is Nov 14th. Notifications will be sent by Nov 28th.

Programme committee:

Dr. Aileen Dillane, Irish World Academy of Music and Dance, University of Limerick.
Dr. Tony Langlois, Dept. of Media, Mary Immaculate College, University of Limerick.
Dr. Martin Power, Dept. of Sociology, University of Limerick.
Dr. Eoin. Devereux, Dept. of Sociology, University of Limerick.
Dr. Mikael Fernström, Interaction Design Centre and Department of Computer Science and Information Systems, University of Limerick.
Dr. Colin Quigley, Irish World Academy of Music and Dance, University of Limerick.

LimerickSoundscapes is an interdisciplinary research cluster that includes applied, urban, and media ethnomusicologists, sociologists, acousticians, and soundscapes composers, and is based at the University of Limerick and Mary Immaculate College, Limerick, Ireland. This conference is funded by the Faculty of Arts, Humanities and Social Sciences, and by The Irish World Academy of Music and Dance, University of Limerick.



Network downtime Thursday 7/11


Uninet will be upgrading software on a router upstream from the BEK network coming Thursday (2013-11-07), and hence we expect 15 min downtime at some point between 2200 and 2300 CET. Analogies for the inconvenience!